Everything for Everyone: An Oral History of the New York Commune, 2052–2072

by ,

English language

Published Nov. 1, 2022

ISBN:
978-1-942173-58-8
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(3 reviews)

By the middle of the twenty-first century, war, famine, economic collapse, and climate catastrophe had toppled the world's governments. In the 2050s, the insurrections reached the nerve center of global capitalism—New York City. This book, a collection of interviews with the people who made the revolution, was published to mark the twentieth anniversary of the New York Commune, a radically new social order forged in the ashes of capitalist collapse.

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reviewed Everything for Everyone: An Oral History of the New York Commune, 2052–2072 by M. E. O'brien

you can have a little bit of prefigurative politics (as a treat)

This was super fun. I thought the oral history format was a really clever format choice, like looking into a giant construction site through little windows cut in the scaffolding and only kind of being able to grasp the depth of the pit. I kept thinking about KSR's New York 2140 and how it couldve been the same world almost, but with more grittiness and trauma and explanations about how we get from here to fully automated gay luxury space communism. I'm pretty sure I have big political differences with the authors, but I seriously enjoyed it nonetheless. I'd really appreciate seeing more of this kind of fantastic dreaming from those who want a drastically different world.

reviewed Everything for Everyone: An Oral History of the New York Commune, 2052–2072 by M. E. O'brien

Favourite book of the year for the disillusioned revolutionary Inside of me.

This book was really awesome, I was most looking forward to this book for 2022. It did not disappoint.

being familiar with ME O'Brien's writing previously I was expecting an anti-state communist, luxury space communism environment with big trans vibes and it didn't disappoint. Probably more than half the interviews featured trans/agender/non-binary people and gender and it's practical abolition was a current throughout the book.

I also really appreciated the way they dealt with trauma, revolutions and capitalist crisis as violent and traumatic experiences and how people were living and building a new world while dealing with people broken people.

I thought it was thoughtful, choosing NYC as the setting and trying to modestly explore the global revolution but always linking it back to nyc so the project didn't get away from itself.

I had never read anything from Eman Abdelhadi before, but felt like you could really see bits …

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