#DisabledPoetry

Migratory by Les Murray

I am the nest that comes and goes, I am the egg that isn't now, I am the beach, the food in sand, the shade with shells and the shade with sticks. I am the right feeling on washed shine, in wing-lifting surf, in running about beak-focused: the feeling of here, that stays and stays, then lengthens out over the hills of hills and the feedy sea. I am the wrongness of here, when it is true to fly along the feeling the length of its great rightness, while days burn from vast to a gold gill in the dark to vast again, for many feeds and floating rests, till the sun ahead becomes the sun behind, and half the little far days of the night are different. Right feelings of here arrive with me: I am the nests danced for and now, I am the crying heads to fill, I am the beach, the sand in food, the shade with sticks and the double kelp shade.

— Learning Human by Les Murray

Fill Your Arms by Hannah Emerson

Please try only to go to the place that is just trying kissing us yearning to love this moment instead

of hating it yes. Please try to kiss this place that is probing our sweet soul that is trying to understand just what the hell is going on yes. Please

help kiss the process that is happening in this world now yes. Please fill your arms with the bear the heart the monkey the horse the kissing kissing kissing that they bring to us

today yes. Please try to help them get up to dance in ward to find the strength that will find great great great new wiring that is trying to become the nothing air that we breathe that is sweat we need to let out yes.

Please try to go to the sweat helping yourself go to the salt that will melt you yes. Please try to become the ocean that is becoming yes yes that is becoming lovely life yes yes. Please fill your arms trying to take in the nothing of everything yes yes.

— The Kissing of Kissing by Hannah Emerson (Page 48)

Hearing Impairment by Les Murray

Hearing loss? Yes, loss is what we hear who are starting to go deaf. Loss trails a lot of weird puns in its wake, viz. Dad's a real prism of the Left— you'd like me to repeat that? THE SAD SURREALISM OF THE DEAF.

It's mind over mutter at work guessing half what the munglers are saying and society's worse. Punchlines elude to you as Henry Lawson and other touchy drinkers have claimed. Asides, too, go pasture. It's particularly nasty with a wether.

First you crane at people, face them while you can still face them. But grudgually you give up dinnier parties; you begin to think about Beethoven; you Hanover next visit here on silly Narda Fearing—I SAY YOU CAN HAVE AN EXQUISITE EAR AND STILL BE HARD OF HEARING.

It seems to be mainly speech, at first, that escapes you—and that can be a rest, the poor man's escape itch from Babel. You can still hear a duck way upriver, a lorry miles off on the highway. You can still say boo to a goose and read its curt yellow-lipped reply. You can shout SING UP to a magpie,

but one day soon you must feel the silent stopwatch chill your ear in the doctor's rooms, and be wired back into a slightly thinned world with a faint plastic undertone to it and, if the rumours are true, snatches of static, music, police transmissions: it's a BARF minor Car Fourteen prospect.

But maybe hearing aids are now perfect and maybe it's not all that soon. Sweet nothings in your ear are still sweet; you've heard the human range by your age and can follow most talk from memory; the peace of the graveyard's well up on that of the grave. And the world would enjoy peace and birdsong for more moments

if you were head of government, enquiring of an aide Why, Simpkins, do you tell me a warrior is a ready flirt? I might argue—and flowers keep blooming as he swallows his larynx to shriek our common mind-overloading sentence: I'M SORRY, SIR, IT'S A RED ALERT!

— Learning Human by Les Murray (Page 96 - 97)

I Live in the Woods of My Words by Hannah Emerson

I live in the branches of the trees. I live in the great keeping freedom of the really helpful down yearning in the grown of the forest floor. The words fall from the sky like snow on this day. They become the floor of the forest. The ground from which all things grow into the towards. It is great great dream of life try to dream. I live in each letter that is where you will find me. They have been given to us as keys to the great breathing hope of life. I always wanted to live there but couldn't live there until the poetry gave me life of words.

— The Kissing of Kissing by Hannah Emerson (Page 19)

Peripheral by Hannah Emerson

Yes I prefer the peripheral because it limits the vision.

It does focus my attention. Direct looking just is too

much killing of the moment. Looking oblique littles

the moment into many helpful moments.

Moment moment moment moment keep in the moment.

— The Kissing of Kissing by Hannah Emerson (Page 6)

Panic Attack by Les Murray

The body had a nightmare. Awake. No need of the movie.

No need of light, to keep hips and shoulders rotating in bed on the gimbals of wet eyes.

Pounding heart, chest pains— should it be the right arm hurting?

The brain was a void or a blasted-out chamber— shreds of speech in there, shatters of lust and prayer.

No one can face their heart or turn their back on it.

Bowel stumbled to bowl, emptied, and emptied again till the gut was a train crawling in its own tunnel,

slowly dragging the nightmare down with it, below heart level. You would not have died

the fear had been too great but: to miss the ambulance moment—

Relax. In time, your hourglass will be reversed again.

— The Biplane Houses by Les Murray (Page 85 - 86)